ALFRED 23 HARTH - Plan Eden (Creative Works Records)
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The titles of "Plan Eden", out in 1987, refer to Doris Lessing, Friedrich Nietzsche, Robert Anton Wilson and Harth himself. It's another "separated at birth" statement: the first side is Harth solo on the tenor sax, playing a series of short improvisations whose atmosphere changes like tropical weather: a serene reverb-drenched meditation one moment, a torrent of multiphonic schizophrenia a minute later, and the firm reminder that what we currently worship in the so-called "reductionist" movement had already been tackled by Mr.23 at least a decade earlier. The second side features a clutch of duets with Lindsay Cooper - on bassoon and sopranino, while Harth uses clarinets - and a furious one with John Zorn, plus a three-minute improvised "mini opera" with Phil Minton gurgling his tonsils out and a pre-iPod, pre-electronics Günter Müller on drums among the others. In this album, just like in "Anything goes", the composer also took good care of the cover artwork; the LPs include inserts with Harth's drawings, and the nostalgic collector who replaces my good self every once in a while is still moved by the carton's smell of his treasured copies. Sniff....Aaaahhh....
In Touching Extremes
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The titles of "Plan Eden", out in 1987, refer to Doris Lessing, Friedrich Nietzsche, Robert Anton Wilson and Harth himself. It's another "separated at birth" statement: the first side is Harth solo on the tenor sax, playing a series of short improvisations whose atmosphere changes like tropical weather: a serene reverb-drenched meditation one moment, a torrent of multiphonic schizophrenia a minute later, and the firm reminder that what we currently worship in the so-called "reductionist" movement had already been tackled by Mr.23 at least a decade earlier. The second side features a clutch of duets with Lindsay Cooper - on bassoon and sopranino, while Harth uses clarinets - and a furious one with John Zorn, plus a three-minute improvised "mini opera" with Phil Minton gurgling his tonsils out and a pre-iPod, pre-electronics Günter Müller on drums among the others. In this album, just like in "Anything goes", the composer also took good care of the cover artwork; the LPs include inserts with Harth's drawings, and the nostalgic collector who replaces my good self every once in a while is still moved by the carton's smell of his treasured copies. Sniff....Aaaahhh....
In Touching Extremes
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